Reframing cognitive processes in music ‘analysis’

Year 11 Music teachers in Queensland are now a few weeks into the new Music 2019 General Senior Syllabus. As those involved know, there is a significant shift in assessment practice in this syllabus, along with mandated subject matter, which together, will likely influence our considerations surrounding pedagogical approach. Though the syllabus brings with it…

Mr Tim Pani talks music analysis and evaluation…

In my last post I identified a ‘refined’ approach to thinking about analysing and evaluating music after a Year 12 lesson where things weren’t really working as planned. In the following lesson I implemented the new plan, and things seemingly went well. At the end of the lesson, I asked the students if they felt…

Musicology – starting where the music speaks to us…

I think about teaching the Musicology objective[i]a lot… and just when I think I’ve worked out the best way forward, I hit a stumbling block. You may have seen some evidence of this thinking (and the stumbling!) through previous posts (here, and here). I do not see them as failed attempts, but more so the…

Instructions for ‘detangling’: Structuring a Musicology viewpoint

In an earlier post – Disentangling the entangled: Thinking about and through Musicology – I spoke of an approach to music analysis as it is required of in Queensland’s Music: Senior Syllabus (QCAA, 2013)[i]. Since then, I have also received Musicology work from both my Year 11 and Year 12 Music classes. The Year 11…

Encouraging ‘deeper listening’ and own thinking about and of music

In Year 11 and 12 Music in Queensland, Australia, students work from the Queensland Curriculum and Assessment Authority (QCAA) Music: Senior Syllabus[i]. From the learning experiences devised from this document, students are assessed across three dimensions of musical study – Composition, Musicology, and Performance. In my experience, the dimensions of Performance and Composition often draw…